Beirut | August 6
I need to share a secret.
I know why I took half a day off yesterday.
Friday night, I went home at 11:00
pm. They were watching the news there. They keep the TV on all the
time. I don't know when they're watching and when they're not.
There was the usual footage of
villages with heavy smoke in the background; the usual figures: the
number of dead, the number of rockets; the usual blah blah blah from DC
(or wherever he's on vacation now), London, Paris and Beirut..
And then, suddenly, there she was.
She was 80? 75? She was wearing a black and white dress, a scarf hardly
covering her white hair. The most striking thing about her were her
eyes. They were wide opened, as if they were screaming. They were so
opened. Terrified, she looked terrified. I'm sorry, her eyes looked
terrified. There were Red Cross rescuers helping her out of her house.
Someone was talking to me in the
room, but I had my eyes glued on that lady's eyes, and I was trying to
hear what the correspondent in the south was saying about her. SHE WAS
BLIND, he said. The poor lady was blind, stuck in her house, alone, for
ten days, not knowing what was going on, not knowing what she should do.
Were her eyes were open like this
because she's blind, or because they were reflecting her feelings? THE
POOR LADY WAS THERE, ALONE, BLIND, FOR TEN DAYS, UNDER THE SHELLING,
NOT KNOWING WHAT TO DO, NOR WHERE TO GO.
I did not sleep that night.
And every time I remember this lady I feel I'm suffocating.
Today, there was a lady, same age,
talking to TV reporters from her hospital bed. She had a "rural"
accent, and when she spoke you could tell she was old because of the
sound her denture made.
The reporter, who used to have her
own games show, asked her with her very "Beiruti" , I'm-a- beautiful
–spoiled- yet –compassionate- girl- accent " and how did you get here"?
"Ya binti (my child) "the old lady
said, "When you get hit how do you get anywhere? What can you do? You
go out, try to escape the shelling, but I don't have a car, and you
can't leave while they're hitting, and what do you do when you're my
age? I can't run, and there is no one in the streets to help you, and
if a car happens to be passing by you can not stop it, who would stop
under the shelling?" And cut.
There was a question haunting me,
for the last few days. Two or three days after Qana, with the flow of
pictures of the same nature coming from every region in the country, I
kept wondering about the real effect of these pictures.
Ever since this started, my
departement here decided we were only going to tell the stories of the
people. The survivors, those in hospitals, those in shelters, in
refugee centers, anywhere: our job is to tell there stories. Each story
if we could. And to publish their pictures. Each one of them if we
could.
But then , I thought , this was
intended to show what it meant to be injured, to loose a child, a house
, a village .. but what if this will only make people get used to the
new situation. Would people get bored from these stories?
And most important, would the
pictures of civilians killed in shelters, on roads, in house, become
"normal" when you publish them everyday? Is this why they're bombing
civilians all the time: so we get used to that fact, so we get sick of
seeing more if the same , so that pictures of bleeding kids loose their
meaning…
The stories of the two old ladies
offered me a partial answer: no , no one can get used to this. And even
if you do , there will always be "new" stories, stories none of us
could dream they might happen.
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